• ABOUT
  • NEWS
  • PORTFOLIO
  • TEXTS
  • CONTACT
  • PORTFOLIO
  • Installation
  • Sculpture
  • Paper
  • Textile
  • Music
  • Video
  • Ephemera

For every mile of track laid... / Pour chaque mile de voie construit... (2024)
Paper cutouts, each sheet is 20.5 x 30.75 in.

This series of paper cutouts is inspired by the the site of the CPR Angus Shops and presents six views that delve into the multifaceted historical Chinese connections to Canada’s railway system. From “The 'Other' Last Spike / L’Autre dernier clou (1885)” and “Chinese Labour Corps / Corps de travailleurs chinois (1917-1920)” that honours the contributions of Chinese labourers, to “C.P.R. Tea Shed / Remise à thé du CP, Vancouver (1887),” and “The Silk Trains / Trains de la soie (1887-1939)” that once raced across the nation, each piece offers a glimpse into pivotal moments. “For every mile of track laid... / Pour chaque mile de voie construit... (1881-1885)” is a poignant reminder of lives lost and reveals the human stories behind Canada's iconic railways. Along with the light-hearted “Pâté chinois,” these cutouts form a compelling exploration of history, labour, and trade.


Chinese Labour Corps / Corps de travailleurs chinois (1917-1920)


C.P.R. Tea Shed / Remise à thé du CP, Vancouver (1887)


For every mile of track laid... / Pour chaque mile de voie construit...(1881-1885)


The 'Other' Last Spike / L'Autre dernier clou (1885)


Pâté chinois


Silk Trains / Trains de la soie (1887-1939)



From Yiwu to You (2015-2024)
9.3 x 2.3 m / 30.5 x 7.5 ft
A large-scale installation of faux Delftware tiles made from sheets of cyanotype to resemble European porcelain rooms that were inspired by a period of increasing trade with China and whose wealthy inhabitants could indulge themselves in exoticized East Asian motifs. The imagery for this work references trade, travel, consumerism and exchange which took and still takes place from China’s east coast (eg. Yiwu Market) to the rest of the world via the historic and modern Silk Roads, along the Taklamakan Desert, and the Karakoram Highway (also known as the China-Pakistan Friendship Highway) in hopes of contesting the current popular belief and media stories that claims trade with China has always been one-sided.

 


Ruinscape Drawings (2020)
Graphite on paper

The impetus for the Ruinscape Drawings series were the stories of racially-motivated attacks on Asian individuals and acts of vandalism in Chinatowns during the coronavirus pandemic, when Asians were unjustly blamed for the spread of COVID-19. Linking these incidents with those of the 20th century (eg. Vancouver's 1907 anti-Asian riots) and the Chinatowns that have disappeared, through drawing has allowed me to express my anger and fears. At the same time, the drawings commemorate the cultural legacies of early Chinese Canadians and their spaces.


Chinese Arch on Pender St. (Vancouver), 1912


After the 1907 Chinatown Riots in Vancouver


56-58 Elizabeth St., Toronto, 1937


Vancouver, March 13, 2020 Attack


D'Arcy Island - Used as a Chinese leper colony, 1891-1924


Attacks in Sydney and Melbourne, March & April 2020 / Stabbing in Brooklyn, March 7, 2020


Nanaimo Chinatown After the Fire, Sept. 30, 1960


Le Parc de la Pagode (Montréal), 1978


After the Earthquake and Fires, 1906 San Francisco


Repairing damage caused by vandalism post-protests, June 2020, Seattle Chinatown International District


Vancouver, April 12, 2020 Attack


Victoria Chinese Public School, June 5, 2020



Portraits of Lee Nam (2017)
Watercolour on Stonehenge

These are twelve black-and-white portraits of Lee Chao Nam 李趙南, a Chinese immigrant painter working in 1930s Victoria Chinatown, who we know only through the journals of Emily Carr. I want to give him a presence by showing us what he might have looked like. These drawings are based on archival photographs of men with the name Lee Nam found in immigration records and head tax certificates held at the records of Library and Archives Canada. These men are all around the same age as the artist and came to Canada at the same period.


Lee Nam (1)


Lee Nam (2)


Lee Nam (3)


Lee Nam (4)


Lee Nam (5)


Lee Nam (6)


Lee Nam (7)


Lee Nam (8)


Lee Nam (9)


Lee Nam (10)


Lee Nam (11)


Lee Nam (12)



Dunhuang Constellations: Maps 7 and 12 (2016)
Cyanotype, each sheet is 28 x 35.5 cm / 11 x 14 in.

This series of cyanotypes is based on what is known as the Dunhuang Star Atlas, the oldest known star chart from any civilization, and represents
classical Chinese constellations.This document dating to the Tang Dynasty, was found in 1900 among the 40 000 other manuscripts discovered at
the Mogao Caves site near Dunhuang, a desert city along the ancient Silk Road that connected China and the West.


Dunhuang Constellations; Map 8, Element 7 (2016)


Dunhuang Constellations: Map 10, Element 6 (2016)

 


Left to right:
Zebra Mussels, Mitten Crabs, Sea Lampreys, Mystery Snails, and Carp, All in a Bloom (2016), paper cutout, 70 x 90 cm / 27.5 x 35.5 in
The Blind Leading the Blind (2015), paper cutout, 78 x 58 cm

 


Sinography (2013), Cyanotype
Sinography - Gold (2013), Paper cutouts
243 x 168 cm each

 


Hong Kong Martial Arts Movie Posters (2012-present)
This is an ongoing series of cut-outs inspired by 1970s Hong Kong martial arts movie posters.

Left to right: Deadly China Doll (2012), silver mirror card, 23 x 16.5 cm /9 x 6.5 in
Unstoppable! Unbelievable! Unbeatable! (2014), silver mirror card, 28 x 19 cm / 11 x 7.5 in
Attach of the Kung Fu Girls (2013), gold mirror card, 16 x 23 cm / 6.5 x 9 in

 


Chinese Fever: Liki-Liki (2010)
Paper, vinyl. As installed at Workers' Arts & Heritage Centre (Hamilton, ON)

Left to right: Liki-Liki et Tchin-Tchin (2009), paper, 118 x 57 cm; Fill 'er up, Russell! (2009), vinyl, 52 x 77 cm; High Jinx (2009), paper, 39 x 31 cm;
I may flirt a little, but I'm no yellow peril (2009), vinyl, 40.5 x 90 cm The Chinese Must Go! (2009), vinyl , 30 x 22.5 cm; Memories like preserved plums (2009), vinyl, 125 x 107 cm

Left to right: Peeping Tom (2008), paper, 61 x 43 cm; M'aidez-Mayday-Meidei! (2009), paper, 78 x 63.5 cm
Monster-Head (2009), paper, 27.5 x 22.5 cm

 


Chinese Fever (2006-2010)
Paper, as installed Fofa Gallery, Concordia University (Montréal, Canada)

 

Left to right: Do you mind if I smoke? (2008), vinyl, 30 x 30 cm;
Elmo & Dora: "We were saddened to learn of this tragic news."
(For Cheung Shu-hung)
(2008)
, vinyl, 46 x 64 cm

 


Great balls of fire: Small people merely change their spots (2008)
Paper, as installed at Bede's World (Jarrow, UK)


 


Mash-Up / Pâté chinois (2008)
Paper, 213 x 152 cm


 


Rex vs. Quong (2006)
Paper, 60 x 76 cm


 


Chef Lee's First Wok'n'Roll Garden series (2004-2010)

MSG / Buddha Health Food & Vegetarian Delight; Buffet King; Chef Lee's; China First; China Garden; China Garden; Le Chrysanthème; Dragonaro; Fishing for Rats 2 & 3; Golden Palace; Hon Wong Restaurant Inc.; Keung's Restaurant; Marco Polo Noodle House; New Asia; No. 1 Chinese Restaurant; Oriental Pearl; Oriental Restaurant; Overseas Asian Restaurant; Palais de Chine; La poupée chinoise; Rat #1; Shaw Lee; Sin Can; Tung Lock; Twin Lakes Restaurant; Wang's; Wok Village; Yangtze Restaurant; Zoe's


 


One Hundred Blossoms Lanterns (2005-2007)

   

 

// Portfolio Archives //


© Karen Tam 2005-2025